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While most of the exhibition artworks were acquired in the past decade, they are shown in conjunction with artworks that have been collected throughout the past 100 years, to reveal the trajectory of the Phillips’s ever-changing and growing collection. 

Contemporary artist Bernhard Hildebrandt provides a 21st-century interpretation (left) of El Greco’s 17th-century The Repentant St. Peter (right), acquired by Duncan Phillips in 1922. Hildebrandt starts from El Greco’s painting and employs digital photography.

installation view of blurred photograph of man on left with similar painting of man on right

Installation View, Seeing Differently: The Phillips Collects for a New Century, 2021, Photo: Lee Stalsworth

installation view of black and white photo with wood block sculpture around corner

Installation View, Seeing Differently: The Phillips Collects for a New Century, 2021, Photo: Lee Stalsworth

The Phillips Collection acquired Aimé Mpane’s Mapasa (middle) in 2012, followed by Maman Calcule (right) in 2020. These contemporary portraits are paired with Amedeo Modigliani’s 1917 portrait Elena Povolozky (left), acquired in 1949.

portrait with gilded frame on left, small portrait of two people in middle, and huge mosaic portrait through doorway on right

Installation View, Seeing Differently: The Phillips Collects for a New Century, 2021, Photo: Lee Stalsworth

Are there any artworks you would like to add to your display to make it feel more complete?

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