Search results for “albert pinkham ryder”

Oil on canvas board 15 7/8 x 20 in.; 40.3225 x 50.8 cm. Acquired 1939

Oil and metallic paint on plywood panel 18 9/16 x 20 1/2 in.; 47.14875 x 52.07 cm.; Framed: 19 1/2 in x 21 1/4 in x 1 3/8 in; 49.53 cm x 53.97 cm x 3.49 cm Acquired 1926

Oil on canvas 14 1/8 x 17 1/8 in.; 35.8775 x 43.4975 cm.; Framed: 21 3/8 in x 24 1/2 in x 3 in; 54.29 cm x 62.23 cm x 7.62 cm Acquired 1924

Oil on canvas mounted on cradled wood panel 8 7/8 x 18 in.; 22.5425 x 45.72 cm.; Framed: 14 5/8 in x 23 1/2 in x 2 1/4 in; 35.56 cm x 59.69 cm x 1 3/4 in Acquired 1921

Oil on canvas 24 1/8 x 33 1/2 in.; 61.2775 x 85.09 cm.; Framed: 35 1/2 in x 45 in x 2 3/4 in; 90.17 cm x 114.3 cm x 6.99 cm Acquired 1920

One-on-One: Ugo Rondinone / Louis Eilshemius juxtaposes paintings by Louis Michel Eilshemius (1864–1941) alongside works by acclaimed contemporary artist Ugo Rondinone (b. 1964, Brunnen, Switzerland). Rondinone has long been collecting paintings by the eccentric and prolific American poet and painter Eilshemius, who is known for his expressive and lyrical depictions of landscapes, nature, and nudes. The presentation features paintings by Eilshemius drawn from both the Phillips’s collection and Rondinone’s expansive personal collection of the artist’s work. In dialogue with Eilshemius are a

Upcoming Installation Represents Largest “Unit” of Artist’s Work in a Museum Collection WASHINGTON—Opening this Saturday, The Phillips Collection presents an exhibition featuring the acquired works of American painter Jake Berthot (1939–2014), whose introspective paintings have been described as visual poetry. The artist’s work rangesfrom monochromatic canvases in a minimalist style to more expressive works suggesting space and atmosphere, guided by his admiration for Abstract Expressionists like Mark Rothko and Milton Resnick, to dark nocturnal landscapes, reminiscent of works by George

Oil on canvas 28 1/4 x 35 3/4 in.; 71.755 x 90.805 cm. Acquired 1940

For her One-on-One installation, celebrated British painter Bridget Riley (b. 1931) selected three of her works—two paintings, Red Overture (2012) and Red with Red 1 (2007), and one screenprint, One Small Step (2009)—to be displayed vis-à-vis Luncheon of the Boating Party (1880-81) by Pierre-Auguste Renoir. Bridget Riley developed her signature Op Art style in the 1960s, creating intricate geometric patterns that produce optical sensations. While her abstract compositions were at first stark black-and-white, her later paintings explore the perceptual activity of color. Riley has acknowledged