The Phillips' Summer 2016 Intersections Project by Bettina Pousttchi Reimagines Architecture as Media of Remembrance

WASHINGTON—This summer, The Phillips Collection presents the work of German artist Bettina Pousttchi, which addresses the history and memory of architecture. Double Monuments is part of the Phillips’s ongoing Intersections series that highlightscontemporary art and artists in conversation with the museum’spermanent collection, history, and architecture.

Through photography and sculpture, Pousttchi is interested in altering architectural buildings and monuments as indicators of the past and media of remembrance. In her series Double Monuments for Flavin and Tatlin (2010–2016), Pousttchi transforms the constraining materials of rails, street barricades, and metal crowd barriers into sculptural forms with spiraling vertical towers andneon light tubes. These “double monuments” reference the work ofRussian Constructivist sculptor-architect Vladimir Tatlin from the 1920s and American minimalist artist Dan Flavin from the 1960s.

Five Double Monuments, ranging from 5 to 12 feet, will be on view at the Phillips, dramatically illuminating the space with neon lights. The sculptures will be paired with works from the permanent collection including Naum Gabo’s Linear Structure in Space No. 1 (1943), and black and white photographs from the 1930s and 1940s by Berenice Abbott, Louis Faurer, Alfred Eisenstaedt, Gjon Mill, and Brett Weston—images that underline the themeof illuminated space presented in Pousttchi and Gabo’s works.

Best known for his architectural sculptures that emphasize translucency and suggest skyscrapers and industrial settings, Gabo creates work with a strong kinship to Russian constructivism, a movement which sought to overcome the static aspect of traditional sculpture, and activate the surrounding space. Just as Gabo used glass, metal, and plastic to create fluid, almost transparent sculptures that emphasizes space, line, and movement, Pousttchi employs materials such as neon and powder-coated objects to create installations that address both sculptural form and architectural setting.

Double Monuments is exhibited concurrently with the Hirshhorn Museum and Sculpture Garden’s World Time Clock series, a group of photographs Pousttchi created in 24 time zones around the globe over the last eight years. Together, these two exhibitions represent Pousttchi’s first museum presentations onthe east coast of the United States.

Born in Mainz, Germany, in 1971, Bettina Pousttchi is a Berlin-based artist working in photography, video, and sculpture. She studied at the Kunstackademie Düsseldorf and participated in the Independent Study Program at the Whitney Museum of American Art in New York from 1999–2000. Pousttchi’s workhas been displayed throughout Europe, including Amsterdam, Berlin, Köln, and London. She held her first U.S. solo exhibition at the Nasher Sculpture Center in Dallas, Texas, in 2014.

Double Monuments is on view June 9–October 2, 2016.

EXHIBITION-RELATED EVENTS

Thursday, June 9 (6:30 pm) Artist’s Perspective: Artist Bettina Pousttchi will discuss her Intersections exhibition Double Monuments with Senior Curator of Modern and Contemporary Art Vesela Sretenović in the museum’s galleries. A reception will follow in the courtyard.

Friday, June 10 (6:30 pm) Meet the Artist: Bettina Pousttchi will speak about her World Time Clockseries at the Hirshhorn.