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        <title>Per Kirkeby: Paintings and Sculpture</title>
        <link>http://www.phillipscollection.org</link>
        <description>Per Kirkeby: Paintings and Sculpture is the most comprehensive survey in the United States to date of works by Scandinavia’s most highly acclaimed living artist, Per Kirkeby (Danish, b. 1938). Equally trained as a geologist and an artist, Kirkeby is a painter of eminent sensuality, creating richly layered canvases filled with prodigious detail and animated by an unequaled material quality of color. He is not only a leading painter, sculptor, and printmaker, but also a prolific writer, poet, and filmmaker.</description>
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        <copyright>© 2012 The Phillips Collection</copyright>
        <managingEditor>tpcindc@gmail.com (The Phillips Collection)</managingEditor>
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        <pubDate>Thu, 04 Oct 2012 09:00:00 -0400</pubDate>
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            <title>Per Kirkeby: Paintings and Sculpture</title>
            <link>http://www.phillipscollection.org</link>
            <description>Per Kirkeby: Paintings and Sculpture is the most comprehensive survey in the United States to date of works by Scandinavia’s most highly acclaimed living artist, Per Kirkeby (Danish, b. 1938). Equally trained as a geologist and an artist, Kirkeby is a painter of eminent sensuality, creating richly layered canvases filled with prodigious detail and animated by an unequaled material quality of color. He is not only a leading painter, sculptor, and printmaker, but also a prolific writer, poet, and filmmaker.</description>
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        <itunes:subtitle>Audio Tour</itunes:subtitle>
        <itunes:summary>Per Kirkeby: Paintings and Sculpture is the most comprehensive survey in the United States to date of works by Scandinavia’s most highly acclaimed living artist, Per Kirkeby (Danish, b. 1938). Equally trained as a geologist and an artist, Kirkeby is a painter of eminent sensuality, creating richly layered canvases filled with prodigious detail and animated by an unequaled material quality of color. He is not only a leading painter, sculptor, and printmaker, but also a prolific writer, poet, and filmmaker.</itunes:summary>
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        <itunes:block>no</itunes:block>
        <itunes:complete>yes</itunes:complete>
        <itunes:category text="Arts">
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        <itunes:category text="Education">
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            <title>Fram, 1983</title>
            <link>http://6b99446a12fde22e4049-c2873ca4de6e773d1260dfebf61d799b.r3.cf1.rackcdn.com/2012-10-01-kirkeby-audio-tour-01-fram.mp3</link>
            <description><![CDATA[Stop 1]]></description>
            <author>The Phillips Collection (tpcindc@gmail.com)</author>
            <pubDate>Thu, 04 Oct 2012 12:47:29 -0400</pubDate>
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            <itunes:subtitle>Stop 1</itunes:subtitle>
            <itunes:summary>Stop 1
Like most of Kirkeby’s paintings, Fram is filled with references to both art history and science.
</itunes:summary>
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            <itunes:image href="http://www.phillipscollection.org/images/exhibitions/2012-kirkeby/kirkeby-02-fram-1982.jpg"/>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:33</itunes:duration>
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            <title>Untitled, 2009 </title>
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            <description><![CDATA[<p>Stop 2
<br />Kirkeby was inspired to paint horses by the sixteenth-century woodcuts of the German artist Hans Baldung Grien.</p>]]></description>
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            <pubDate>Thu, 04 Oct 2012 12:47:27 -0400</pubDate>
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            <itunes:subtitle>Stop 2</itunes:subtitle>
            <itunes:summary>Stop 2
Kirkeby was inspired to paint horses by the sixteenth-century woodcuts of the German artist Hans Baldung Grien.</itunes:summary>
            <itunes:keywords>the phillips collection,philips</itunes:keywords>
            <itunes:image href="http://www.phillipscollection.org/images/exhibitions/2012-kirkeby/kirkeby-14-untitled-2009-horses.jpg"/>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:03</itunes:duration>
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            <title>Regicide at Finderup barn, 1967 </title>
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            <description><![CDATA[<p>Stop 3
<br />From the late 1960s through the 1970s Kirkeby produced pictures on serially arranged square Masonite panels. Repeating motifs such as cabins, caves, and Mayan ruins transform natural associations into more real or historical landscape paintings.</p>]]></description>
            <author>The Phillips Collection (tpcindc@gmail.com)</author>
            <pubDate>Thu, 04 Oct 2012 12:47:23 -0400</pubDate>
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            <itunes:subtitle>Stop 3</itunes:subtitle>
            <itunes:summary>Stop 3
From the late 1960s through the 1970s Kirkeby produced pictures on serially arranged square Masonite panels. </itunes:summary>
            <itunes:keywords>the phillips collection,philips</itunes:keywords>
            <itunes:image href="http://www.phillipscollection.org/images/exhibitions/2012-kirkeby/kirkeby-09-regicide-at-finderrup-barn-1967.jpg"/>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>0:59</itunes:duration>
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            <title>Untitled, 1982</title>
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            <description><![CDATA[<p>Stop 4
<br />Kirkeby's Blackboards a special significance for him. It is in these works that he is most experimental. The Blackboards are as much about erasure than about building layers.</p>]]></description>
            <author>The Phillips Collection (tpcindc@gmail.com)</author>
            <pubDate>Thu, 04 Oct 2012 12:47:22 -0400</pubDate>
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            <itunes:subtitle>Stop 4</itunes:subtitle>
            <itunes:summary>Stop 4
Kirkeby's Blackboards a special significance for him. The Blackboards are as much about erasure than about building layers.</itunes:summary>
            <itunes:keywords>the phillips collection,philips</itunes:keywords>
            <itunes:image href="http://www.phillipscollection.org/images/exhibitions/2012-kirkeby/kirkeby-11-untitled-1982.jpg"/>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:28</itunes:duration>
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            <title>Inventory XX, 2002</title>
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            <description><![CDATA[Stop 5]]></description>
            <author>The Phillips Collection (tpcindc@gmail.com)</author>
            <pubDate>Thu, 04 Oct 2012 12:47:20 -0400</pubDate>
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            <itunes:subtitle>Stop 5</itunes:subtitle>
            <itunes:summary>Stop 5
Dorothy Kosinski, Director of The Phillips Collection, discusses Per Kirkeby’s sculpture Inventory XX.</itunes:summary>
            <itunes:keywords>the phillips collection,philips</itunes:keywords>
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            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:12</itunes:duration>
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            <title>Large Head, 1984</title>
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            <description><![CDATA[Stop 6]]></description>
            <author>The Phillips Collection (tpcindc@gmail.com)</author>
            <pubDate>Thu, 04 Oct 2012 12:47:13 -0400</pubDate>
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            <itunes:subtitle>Stop 6</itunes:subtitle>
            <itunes:summary>Stop 6
Dorothy Kosinski, Director of The Phillips Collection, discusses Per Kirkeby’s sculpture Large Head.</itunes:summary>
            <itunes:keywords>the phillips collection,philips</itunes:keywords>
            <itunes:image href="http://www.phillipscollection.org/images/exhibitions/2012-kirkeby/kirkeby-05-large-head-1984.jpg"/>
            <itunes:explicit>no</itunes:explicit>
            <itunes:duration>1:05</itunes:duration>
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