This etching and aquatint, The Studio Table, was done on RIVES BFK paper by Jacques Villon, a significant printmaker during the early 20th century, in collaboration with Georges Braque. In 1922, the Bernheim Jeune dealers and publishers asked Villon to create a series of 40 intaglio plates after modern artists’ works. This print was the 4th pull in an edition of 200 made in 1923 after Georges Braque’s painting Guitar and Still Life on a Guéridon (1922) in the collection of the Met.